dévaliser qqn sous la menace d"un revolver - significado y definición. Qué es dévaliser qqn sous la menace d"un revolver
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Qué (quién) es dévaliser qqn sous la menace d"un revolver - definición

BALLET
Un Mariage sous la Régence; Un Mariage sous la Regence

Les grands cimetières sous la lune         
BOOK BY GEORGES BERNANOS
Les grands cimetieres sous la lune
Les Grands Cimetières sous la Lune (1938; English: literally, The Great Cemeteries Under the Moon, English title when published; A Diary of My Times) is a book by novelist Georges Bernanos which fiercely condemns the atrocities carried out in Majorca by the Nationalists in Spain. Majorca had been secured for the Nationalist rebels by Manuel Goded Llopis at the outset of the Spanish Civil War.
Janssen revolver         
  • Janssen (center, sitting) and his 1874 crew, with the revolver in the background
  • The revolver in action in a 1874 illustration
  • Detailed view of the instrument
EARLY ASTRONOMICAL CAMERA SYSTEM
User:Emmasoler/sandbox; Draft:Janssen Revolver; Janssen Revolver; Photographic revolver
The Janssen revolver () was invented by the French astronomer Pierre Jules César Janssen in 1874. It was the instrument that originated chronophotography, a branch of photography based on capturing movement from a sequence of images.
Un fil à la patte         
  • alt=man with trousers but no shirt surrounded by horrified people in correct evening costume
  • alt=head and shoulders portrait photographs (not in stage costume) of a woman and a man
  • alt=man in evening dress found in a wardrobe by two shocked-looking women
PLAY
Un Fil à la patte; Un fil a la patte; Un Fil a la patte
Un fil à la patte (Tied by the leg) is a three-act farce by Georges Feydeau. It was first performed in Paris in 1894 and ran for 129 performances.

Wikipedia

A Marriage During the Regency


A Marriage During the Regency (French: Un Mariage sous la Régence, Russian: Брак во времена регентства) is a ballet in 2 acts, with libretto and choreography by Marius Petipa and music by Cesare Pugni.

The ballet was first presented by the Imperial Ballet on December 18/30 (Julian/Gregorian calendar dates), 1858, at the Imperial Bolshoi Kamenny Theatre in St. Petersburg, Russia. Principal dancers: Mariia Surovshchikova-Petipa (as the Countess Matilda) and Christian Johansson (as the Count), Timofei Stukolkin, Marfa Muravyova, Anna Prikhunova, and Lev Ivanov.

In 1870 Marius Petipa restaged this ballet at the Mariinsky Theatre.